Mohamed makes portraits of Al-Ahly’s goalscorers with the manual arcade.. “The Owners of the 3 Ajwan”
Amman Today
publish date 1970-01-01 03:00:00
When we hear that there is a football match between Al-Ahly and Zamalek, we know very well that it will be a meeting of the giants and the summit, as it has been known about these matches for a long time, which makes everyone, old and young, trying to predict the winner, and even deducing who will score goals in the matches as well, this What happened with Mohamed Daoud, the young man in his twenties, when he expected Al-Ahly club to score 3 goals, by drawing portraits of Al-Ahly club stars, who are Kahraba, Sharif and Afsha.
Al-Ahly club players
Mohamed excels in making portraits of Al-Ahly goalscorers
Muhammad, a graduate of the Faculty of Arts, Department of Radio and Television, said in his interview with “The Seventh Day” that despite having studied a great deal about art, he loves sculpture, especially the art of manual arcade and making portraits on wood, and he continued his expectation of the three goals of Al-Ahly Club in the summit match. He said: “The issue is that the Al-Ahly and Zamalek match is a summit match, and it was Saturday. I expected that Al-Ahly would win the match despite the pressures on the two teams, but I was sure that Al-Ahly would win with three goals, and I was sure that Mohamed Sharif and Kahraba would be the owners of the goals because this is their natural thing.”
Electricity
And he added, “Sherif Al-Mukhaif began to return to his level to which we are accustomed, and Kahraba began to return to his form and goal, but he said such a creative and enjoyable match.”
Mohammed Sherif
Regarding the handmade arcade portraits that he designed for Al-Ahly club players, he said that the portrait is designed with the art of manual arcade, which is cutting plywood to make figures, artifacts, and portraits of people from it. Several layers, provided that some features are formed in each layer through a hand saw, and they are finally placed on top of each other so that the complete facial features appear as if they were a painting painted with all the details. be from the back or any side”, and that the “portrait” of Mahmoud Kahraba and Mohamed Sharif needed to use 6 layers of plywood, while Magdy Qafsha needed only 5 layers in order for all the features of their face to appear.
Afshah

Muhammad Dawood
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